San Francisco: A Paradise for Shopping and Strolling

On August 21, 2013, in Posts, by Warren Sheets

This month much of the country is returning from summer travels, which makes me realize while I love to travel, staying home can be just as much fun. With this in mind, I’d like to share some of my favorite spots to shop and dine in my home city, San Francisco.

Shopping can be serious business. Fortunately there are plenty of spots to relax and unwind in San Francisco.

Shopping can be serious business. Fortunately there are plenty of spots to relax and unwind in San Francisco.

Start the perfect San Francisco day with a walk down Hayes Street, beginning at Franklin, then heading west. Don’t miss the wonderful boutiques and shops in the area, including some intriguing home décor shops as well as great restaurants and coffee shops. Highlights include:

  • PLANTATION – Distinctive home décor, including numerous accessories and tabletop accessories. 336 Hayes (415) 565-0888.
  • THE PAINTERS PLACE – Finely crafted custom framing – offering both classic and modern designs. 371 Hayes Street (415) 431-9827.
  • PROPELLER – A fabulous array of modern furnishings and hand built accessories for the home. 555 Hayes Street (415) 701-7767.

After touring the many shops on both sides of the street, unwind with an espresso, a special treat or brunch at:

  • LA BOULANGE – Famed French-style bakery and café. 500 Hayes Street (415) 863-3376.
  • STACKS – Fresh, simple and delicious American classics. 501 Hayes Street (415) 241-9011.
  • MIETTE – Fine cookies and other sweet confections. 449 Octavia Street (415) 626-6221.

Stacks logo

Another favorite place of mine to stroll and shop is a small shopping district San Franciscans refer to as “Sacramento Street.” Located at the base of Pacific Heights, this area is a bit more upscale than Hayes Street. Here you’ll find:

  • SUE FISHER KING – A sumptuous store filled with rich textures and colors as well as the very finest in home furnishings. 3067 Sacramento Street (415) 922-7276.
  • ANTHEM – One of a kind antiques, as well as eye-catching furniture, lighting solutions and tabletop accessories. 3274 San Francisco Street (415) 440-6500.
  • POETICA ART & ANTIQUES – Rare antiques, accessories and vintage furniture. 3461 Sacramento Street (415) 637-5837.
  • THE DESK SET – A full-service fine stationery and custom invitation boutique. 3252 Sacramento Street (415) 921-9575
  • HENRY BENGUELIN – Handcrafted fine leather. 3091 Sacramento Street (415) 292-7559.

For a late lunch or dinner, I recommend GARIBALDIS – the quintessential neighborhood spot. 347 Presidio Avenue  (415) 563-8841.

No matter what part of the city you frequent – from the upscale stores at Union Square or San Francisco Street to the thrift stores in the Mission District – San Francisco is a shopper’s paradise.

San Francisco is a great place to shop for home décor items.

San Francisco is a great place to shop for home décor items.

Each neighborhood has its own unique flavor – and treasures – so the next time you are in the city, do some serious exploring. And please stop by our design studio at 155 Connecticut Street and pay us a visit. We’re quite sure it will become one of your San Francisco favorites.

 

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Kootenai Estates, a breathtaking summer getaway in the heart of the Flathead Valley in Montana, welcomed such venerable guests as Will Rogers, John D. Rockefeller, Jane Wyatt and Charles Lindbergh during its heyday as a turn-of-the-century retreat for wealthy mining barons.

A hand-cut rock courtyard and fountain welcomes all to the 6,500-square-foot Lindbergh cabin.

A hand-cut rock courtyard and fountain welcomes all to the 6,500-square-foot Lindbergh cabin.

We have been closely involved in restoring this idyllic Bigfork, Montana, community, and a standout of our work here has been the transformation of the legendary Lindbergh Cabin, rumored to have housed the famous aviator when he visited the grounds in the 1920s.

In addition to the renovation of the historic 1906 Kootenai Lodge we described in our last blog, we helped refurbish and expand three original log cabins and built three new homes from the ground up. We are especially proud of our work on the expansive 6,500-square-foot Lindbergh Cabin, now a meticulously restored waterfront home.

Beautifully restored maple wood flooring and custom finishes highlight the cabin’s interior.

Beautifully restored maple wood flooring and custom finishes highlight the cabin’s interior.

This cabin was originally built in the 1880s and in definite need of some modernization when we embarked on rebuilding it in 2007. We restored the original residence and expanded it to include two new two-story wings. All the original hand-hewn logs were restored to their original beauty. To maximize the stunning lake views, we enlarged all the windows and doors. The original maple flooring was carefully refinished, and a massive exterior fireplace – comprised of indigenous chief cliff rock – was dismantled and relocated to adorn an accent wall and three interior fireplaces. The residence today includes a gourmet kitchen and breakfast room, formal dining room, elegant great room, walk-in bar, office, outdoor dining deck, a master suite with a private patio and a full ensuite bathroom for each of its five bedrooms.

A lakefront terrace offers sweeping views of Swan Lake and Swan River.

A lakefront terrace offers sweeping views of Swan Lake and Swan River.

Fully furnished with custom finishes, this one-of-a-kind residence now features a lovely entry courtyard and fountain, as well as a full-view lakeside terrace with a commanding vista of both Swan Lake and Swan River stretching all the way to Crane Mountain. The home is accented with beamed vaulted ceilings, rustic timbers and rugged stone throughout. The other homes at Kootenai Estates are similar in style, with traditional log architectural accents that pay homage to the Old Montana West.

The project is still a work in progress and marks the dramatic transformation of “The Kootenai Camp,” a former destination for Anaconda Copper executives and their families into a collection of custom, multi-million dollar homes.

Indigenous cliff stone from the cabin’s massive original fireplace accentuates an interior wall.

Indigenous cliff stone from the cabin’s massive original fireplace accentuates an interior wall.

When complete, all the homes – both old and new – will masterfully echo the traditional Adirondack Camp style architecture of this original turn-of-the-century retreat.

For more images of the Lindbergh and other homes and this gorgeous Montana property be sure to visit its website. We also have photos of our work posted on our website and Facebook page.

 

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Summertime brings to mind one of our most intriguing projects: Kootenai Estates in Bigfork, Montana. Situated on 42 pristine acres on the majestic Swan Lake, this is an idyllic summer getaway in the heart of the Flathead Valley surrounded by a national forest.

A refurbished 10-foot-deep covered porch with sweeping lakefront views surrounds The Lodge.

A refurbished 10-foot-deep covered porch with sweeping lakefront views surrounds The Lodge.

This project, now underway, marks the transformation of a once turn-of-the-century retreat for wealthy mining barons into a collection of custom, multi-million dollar homes, and currently consists of the renovated historic lodge, three restored and expanded log cabins, three new homes and an expansive swimming pool and Jacuzzi area, complete with a pool house and open decks. When complete, the property will encompass 42 custom luxury homes (25 of which will be located on Swan Lake, Swan River or Johnson Creek), a fitness center, a small museum and more. Ten of the homes will be masterfully refurbished and enlarged original log cabins; 32 will be brand new.

The story of Kootenai began in 1906 when a pair of Anaconda Copper Company executives – Lewis Orvis Evans and Cornelius “Con” Kelley – acquired 2,700 acres of wilderness in northwestern Montana. Between 1914 and 1928, they created a sprawling vacation resort for friends and family, business associates and company executives.

The Kootenai Lodge was designed by Kirtland Cutter in the iconic Adirondack camp style of the early 20th century.

The Kootenai Lodge was designed by Kirtland Cutter in the iconic Adirondack camp style of the early 20th century.

We embarked upon this project in 2005 with the initial task of restoring the main lodge, built by the Anaconda Copper Company as a hunting lodge. Originally designed by architectural pioneer Kirtland Cutter in the iconic Adirondack camp style of the early 20th century, the storied 14,000-square-foot log lodge had welcomed such venerable guests as Will Rogers, John D. Rockefeller and Charles Lindbergh over the years. Famous Western artist Charles Russell etched playful images into the concrete of the lodge’s ample courtyard.

When we undertook the lodge restoration, each original log had to be restored and stained. The charming original waved glass windows were removed, then carefully repaired and painted. Since some of the building’s original river rock foundation was deteriorating, it had to be carefully rebuilt on the same footprint, using Cutter’s original blueprints to ensure accuracy. In addition, we reconstructed the main staircase, repurposed the original rock maple flooring, refinished the massive central fireplace and installed all new lighting fixtures. The lodge is a gathering spot for residents, and also used for special events and parties, so the interiors had to be comfortable yet appealing. With this in mind, we carefully furnished the lodge with custom window treatment, area rugs, plush furnishings and fine accessories – all carefully selected to reflect the era and style of the lodge.

The Lodge interior at Kootenai Estates is characterized by exposed cedar logs.

The Lodge interior at Kootenai Estates is characterized by exposed cedar logs.

Now an anchor of the Kootenai Estates community, the lodge is U-shaped and wrapped by refurbished 10-foot deep covered porches with sweeping lakefront views. The interior of the sprawling main hall is characterized by exposed cedar and timbers, soaring 30-foot-ceilings, a restored original billiards table and a grand piano. An adjoining media room – equipped with a 60-inch flat screen television – transports guests to a more modern day era. In the adjacent lounge, a gorgeous bar features glistening copper counter tops.

Our overall approach was to gently blend the past with the present, remaining sensitive to the building’s history, while updating it with the comforts of today.

The massive original fireplace is made of indigenous stone.

The massive original fireplace is made of indigenous stone.

The lodge has been designated a National Historic Landmark by the National Trust for Historic Preservation, and offers a beautiful example of turn-of-the-last century rustic log architecture.

For images of the lodge, the gorgeous Montana property and exquisite homes at Kootenai Estates, be sure to visit its website. We also have photos of our work posted on our website and Facebook page.

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Summer has arrived which is a great excuse to freshen up the décor.

With colorful palettes and natural materials, summer interiors evoke a more casual, inviting feel. Warm summer nights and longer sunny days make entertaining more appealing as well.

WSD_LaJolla_Red Door entry

Try painting a door, wall or ceiling a fun, bright color.

For these and many other reasons, we recommend a few simple summer decorating ideas:

  • Add brighter colors to your color scheme, such as lemon yellow, apple green or tangerine orange. Softer pastels work as well. Instead of repainting all the walls, try some accents such as painting your ceiling a bright color.
  • Have two sets of decorative pillows – one for summer; one for winter. Summer pillows should be fresh and fun, with light florals and other patterns.
  • Stow away heavy, dark tablecloths. Add a bright table runner for either your coffee or dining room table.
  • Reframe personal photos in painted white frames with bright, colorful mats.
  • Use slipcovers or decorative throws to bring out more pops of color and brightness.
Change the color of your seat cushions for brighter look.

Replacing chair and bench cushions are an easy way to refresh a room.

 

  • Flowers, plants and fresh fruit bring the outdoors in and make your home smell good – and look beautiful. Fill a simple glass bowl with apples or lemons  or place fresh flowers in a sparkling vase every few days.
  • Create a summer-inspired centerpiece by filling a tray with white sand and seashells.
  • For a natural ambiance, try eco-friendly materials like bamboo, hemp and jute area rugs.
  • Replace heavy drapes with sheers or bamboo shades for an open, airy look.
  • Clean your fireplace well and then place a plant or floral display inside for a decorative touch.
  • Cover your existing comforter with a fresh new duvet. Or better yet, store your comforter and use a colorful cotton coverlet instead.
Add fresh summer fruit and flowers into your home décor

Decorating with fresh fruit and flowers adds a pop of color.

  • Rearrange your furniture. It’s surprising just how spacious a room looks after doing so.
  • Purchase new and colorful area rugs, which can alter the look of your room by setting the tone and color palette.
  • Change out simple things like place mats, candles and other accessories.
  • Less is best. Regardless of the season, it’s always nice to come home to a clean, clutter free house.

Most importantly, get outside and experience the playfulness of summer.

As always, feel free to email me or post to our Facebook page with questions, comments and pictures of your design updates.

 

 

One of the most exciting projects our firm has had the opportunity to work on in recent years is The Grand Del Mar, a Five-Star, Five Diamond, 249-room resort just north of San Diego.

This resort features an impressive degree of craftsmanship rarely found in buildings today. In fact over a period of two years, 800-plus workers, contractors and craftspeople labored more than one million hours on this ambitious luxury property.

The 30 different types of stone and polished Italian marble used throughout The Grand Del Mar include Gallo Cleopatra, Jerusalem limestone and Rojo Alicante. Pictured is the front entrance to The Grand Del Mar.

The 30 types of stone and polished Italian marble used throughout The Grand Del Mar include Gallo Cleopatra, Jerusalem Limestone and Rojo Alicante.

Working with the architectural firm of Altevers & Associates, we took our design cue from turn–of-the-century architectural visionary Addison Mizner, credited with launching the Florida design renaissance in the 1920s. We designed all the interiors, as Altevers created the exterior architecture, often consulting with our team throughout the process on historical details.

With a distinctive Mediterranean motif, the resort’s architecture and design features an exotic mix of Spanish, Portuguese, Moroccan and Venetian elements evoking the grandeur of a historic European hotel.

Mizner viewed architecture as a seamless integration of buildings, décor and landscaping – and this emphasis on melding the indoors and outdoors is apparent at The Grand Del Mar. Interiors and architecture are complemented by lush landscaping – a mix of tropical and indigenous plantings – punctuated by garden fountains, sun-dappled patios and courtyards, terraces and walkways.

The Grand Del Mar features a degree of craftsmanship rarely found in buildings today. Pictured is a 75-foot-long, 22-nozzle fountain lined with gold, royal blue and white marble tiles.

The Grand Del Mar features a degree of craftsmanship rarely found in buildings today. Pictured is a 75-foot-long, 22-nozzle fountain lined with gold, royal blue and white marble tiles.

Many guests to The Grand Del Mar are under the impression the resort has existed for decades – which is something I love to hear. We worked very hard to develop a timeless appeal unearthing the finest materials as well as sourcing extremely talented artisans, artists and craftsmen from around the world.

Select interior design highlights include:

  • Cubic stone hand-carved by a family of four generations in a small town near Verona, Italy. Weighing in at 20 tons, the 30 different types of stone and polished Italian marble include Gallo Cleopatra, Jerusalem limestone and Rojo Alicante.
  • More than 2,000 pieces of custom-designed furniture and art (mostly oil on canvas by European artists), with 85% of all furnishings custom-designed. Much of the artwork was commissioned, and many of the frames are exact replicas of ones found in the Louvre or the Cluny Museum in Paris, crafted by a frame maker in Italy.
  • More than 25,000 square feet of handcrafted wood floors, Roman pan tile roofing, hand-painted ceiling frescoes on canvas, burled and gilded wood accents, Venetian-plastered walls, hand-hewn wooden beams.
  • Over 50 elaborate chandeliers; more than 500 fabrics; vibrant Portuguese glazed tiles; and 20,000 sheets of 23-karat gold – carefully hand applied on ceilings, walls, and wrought iron accents.
  • The Elizabeth Capella, an ornate onsite chapel with beautiful Jerusalem limestone and Italian marble flooring; Venetian plastered walls; a high, rusticated wood plank-beamed ceiling; and hand-carved walnut pews.
  • A team of 120 carpenters worked 150,000 hours designing, finishing and installing 16 different wood species – including fine walnut, mahogany, olive, alder, sycamore and maple accents – with 35 different finishes.
  • Hand-stenciled and painted decorative ceilings, took 24 people three months to complete.
The design of the resort was inspired by turn-of-the-century architectural visionary Addison Mizner, who viewed architecture as a seamless integration of the indoors and outdoors. Pictured is the terrace at Amaya restaurant at The Grand Del Mar.

The design of the resort was inspired by turn-of-the-century architectural visionary Addison Mizner, who viewed architecture as a seamless integration of the indoors and outdoors. Pictured is the terrace at Amaya restaurant at The Grand Del Mar.

It is extremely unusual to have such a high degree of craftsmanship and extensive number of fine, hand applied finishes – plaster, stone, millwork, tile, wrought iron, etc. – so prevalent on such a large scale. Quite simply, American resorts aren’t often built like this anymore.

Fortunately for guests at The Grand Del Mar, the resort has introduced a series of architectural tours for the summer, which will describe in detail the design, as well as the fine finishes and materials found throughout the resort. If you visit the resort, please let me know your thoughts and share your photos on our Facebook page.

For more information about the resort and the architecture tours, visit www.TheGrandDelMar.com.

 

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I have worked on many intriguing projects throughout my career – from the design of an antique car museum to a rustic 1906 log lodge – but one of the most interesting of late was overseeing the interior design of the broadcast set for San Diego’s newest television station, U-T TV, a station recently launched by San Diego’s daily newspaper, U-T San Diego.

We worked in conjunction with general contractor and longtime colleague Bob Petrossian of Landmark Hospitality Contracting Inc. and partnered with seasoned lighting designers Matt McAdam and Darran Web – veterans of high profile television shows like American Idol.

Anchor Taylor Baldwin on the U-T TV set. Since the set is a high-traffic area, we used durable flooring, faux finished by hand to resemble polished onyx marble and black granite.

Anchor Taylor Baldwin on the U-T TV set. Since the set is a high-traffic area, we used durable flooring, faux finished by hand to resemble polished onyx marble and black granite.

Not surprisingly, what made this space especially unique was the lighting. Working alongside seasoned Hollywood lighting experts we constructed and designed the first broadcast set to exclusively use LED lighting. LED, light-emitting diode, is a technology that produces light differently from incandescent light resulting in beautiful and dramatic color changing effects produced from a single light source.

Appropriately, the studio’s backdrop includes San Diego iconic images such as Balboa Park, Del Mar horse races, downtown and the beach, all selected from the U-T San Diego photo archives capturing “America’s Finest City” in a multitude of formats. Because the set needed to be fluid and ever-changing, we installed Duratrans light boxes to reflect the many themes of San Diego. Using these methods, we can take a projected scene and throw light at it from behind, appearing “alive,” not fixed.

Since the set is a high-traffic area, we used durable flooring (faux finished by hand to resemble polished onyx marble and black granite), as well as exotic wood veneers, marble and bronze, all accented by our key design component, the specialty LED lighting. Vertical segments at the base of the broadcast set are lit from behind and can be accented with different colors and intensity.

A project not without challenges, our biggest consideration: ceiling height. The studio sits on the third floor of an office building, so height limitations were extreme. We had only 9 ½ feet work with, and we had to drop the ceiling to conceal mechanical equipment.

This overall hot of U-T TV shows the dramatic effects of LED lighting.

This overall shot of U-T TV shows the dramatic effects of LED lighting.

A space’s design is all about perception by the human eye. In this case, however, we had to consider how the area would be perceived through a camera’s eye, its lens. During the initial design process, we lacked the camera view, so we couldn’t actually see how the set would appear on screen. Talk about a challenge. I had to make my best delicately balanced “guestimate” – thankfully, it worked. For example, I was careful not to use broad expanses of color because other camera shots wouldn’t be able to capture the delineation of the layout.

This was a fast-tracked project using the most cutting-edge equipment available today. Through our extensive research and visits to other Southern California studios, we know that what we have produced at U-T TV is leaps ahead of the industry.

Taylor Baldwin at the U-T TV anchor desk.  We used exotic wood veneers as well as marble and bronze accents. Vertical segments at the base of the set are lit from behind and can be accented with different colors and intensity.

Taylor Baldwin at the U-T TV anchor desk. We used exotic wood veneers as well as marble and bronze accents. Vertical segments at the base of the set are lit from behind and can be accented with different colors and intensity.

I love that Warren Sheets Design has a repertoire of unique, exciting one-of-a-kind projects that require high levels of creativity and expertise, and this project certainly was no different.

Tell me about your biggest design challenge. What creative steps did you take to overcome?

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